Sometimes known as a Human Rights Rabbi he is the director of AmKolel Sanctuary and Renewal Center in Pikesville MD.

He recently visited the Occupy DC site in McPherson Square to play music and share the traditions of Sukkot.

Click here to see video.

Click here to listen to the JSA collection of Cantor Shneyer’s music.

Gladys Gewirtz circa 1965

Gladys Gewirtz  touched the lives of thousands of people who never met her. Her recordings were among the first that were digitized and played on the JSA website (www.fau.edu/jsa).  Over  60 years ago, Gladys Gewirtz, had the idea of creating recordings for young Jewish children. Together with her sister, Roz Grossman who wrote the lyrics and patter between songs, she produced recordings based on familiar fairy tales and nursery rhymes. The simple sing-along tunes are endearing and bring back early childhood memories to many listeners.

Gladys attended Julliard and Columbia University. She was music director of the first Camp Ramah, and taught at the Jewish Theological Seminary where she  inspired a generation of music teachers and counselors.

The sisters’ songs deal primarily with Jewish customs and holidays, and also celebrate the newly established State of Israel. Miriam Brosseau writes, “in Gewirtz’s record Mother Goose Songs for Jewish Children and Holiday Play Songs, she and narrator Eve Lippman inject Jewish themes into familiar American children’s songs; Little Boy Blue, for instance, cannot watch over his sheep on Shabbat–he is in shul, of course. The young boys on the cover all sport kippot and Mother Goose is pictured in a matronly shawl, with a prominent Star of David around her neck.”

Through the pioneering work of Gladys Gewirtz and her sister, Roz Grossman,  Jewish life and customs became songs that even pre-schoolers could understand.  It is only now, after so many years, that we can truly appreciate the powerful influence that these simple tunes had in fostering Jewish identity and education for  generations of Jewish children.

Gladys spent a number of years at Kol Yisrael (The Voice of Israel) as a music producer.  She was married to the District Attorney of Jerusalem, Ezra Hedaya.

Together with her brother, Shimon (cantor). and his wife, Ilana (flutist and soloist), Gladys established and directed the first music service at the Hebrew Music College in Jerusalem. She also wrote various cantatas and oratorios on biblical themes. Gladys and her brother Shimon again combined their talents to write a musical  based on The Book of Ruth. entitled Your People are Mine.

Gladys was 84 when she passed away on April 14, 2012. Shimon and Roz are currently living in Israel.  All of us at the Judaica Sound Archives are saddened by her passing and offer sincere condolences to her family. Her memory is a blessing to all who knew her. Her music legacy will not be forgotten.

Click here to listen to all eight (8) of her albums from the JSA Collection.

Passover  traditions and memories . . . .

A time for family gatherings.

A time to ask the ”four questions.”

A time to search for the afikomen.

A time to recite the ten plagues.

A time for choroses and horseradish on matzo.

A time for Elijah’s glass of wine.

The Passover Seder  allows us to join together  in the warmth and safety of our homes to celebrate and remember our Jewish heritage.

If music and song have been a part of your Passover Seder over the years  the recordings in the JSA’s Passover Collection of Songs are sure to revive nostalgic memories of the past and to inspire new traditions for the future.

And if you are not already familiar with the wonderful music of the Passover Seder, it’s not too late to  join in and sing along!

Click here for links to the JSA’s Passover Album Collection.

4th Annual KULTUR FESTIVAL: A Celebration of Jewish Music and Arts

March 3—11, 2012

FAU Libraries, Boca Raton, FL

Can’t make it to South Florida?

You can join in the celebration of klezmer right here at the Judaica Sound Archives!

The word “klezmer” derives from two Hebrew words meaning instruments of music. The roots of klezmer can be traced back to 15^th century Eastern Europe. Klezmer music incorporates Chassidic melodies, folk tunes, and Jewish celebration dances. However, most ethno-musicologists would tell you that what we refer to as “klezmer” in 21^st century America bears very little resemblance to the musical compositions of 100 or 200 years ago. Today’s “klezmer” is like a  kaleidoscopic musical mirror that captures sound bits from the Jewish experience and reflects them back in new and sometimes wildly improbable ways.

Steeped in traditional Jewish sounds and melodies, klezmer is no longer chained to the shtetl. Today’s klezmer can be heard on the internet in Jewish homes around the world. Today’s klezmer can absorb interesting new flavors as the Jewish world of music expands.

Today’s klezmer music wakes up our Jewish cultural memory and provokes us to dance, to celebrate, to be Jewish!

Early klezmorim played the violin and other stringed instruments. Around 1855 the clarinet began to gain prominence. In the USA, clarinetists Dave Tarras and Naftule Brandwein spear-headed a klezmer revolution during the 1920’s. Today klezmer music continues to evolve.  It now includes everything from traditional renditions to mind-blowing fusions.

The Judaica Sound Archives at Florida Atlantic University Libraries invites you to enjoy klezmer music from the past and the present.

Adrianne Greenbaum – FleytMuzik Klezmer music for flute

Benny Bell – To the Bride

Effy Netzer and his band – Folk Dance in Israel Today

Harry Kandel- Kandel’s Orchestra (1917-1918) Vol. 1

Klezmer Company Orchestra – Beyond the Tribes

The Original Klezmer jazz Band

Paul Green – Klezmer East

Rudy Tepel and his Orchestra- Lubavitch Wedding

Yiddishe Cup – Klezmer Guy

Sam Greene was the first volunteer at the Judaica Sound Archives.

Sam Greene

Jan. 11, 1923 – Feb. 8, 2012

It saddens my heart to think that Sam will no longer be here at the Judaica Sound Archives. Sam Greene was a dedicated JSA volunteer who began offering his assistance in 2002. He unpacked recordings, examined them and checked databases. Because of his language skills he was often called upon to provide English translations of Yiddish, Hebrew  or German songs and text.

Sam was a wonderful singer and would often spontaneously serenade us with songs. Always upbeat, pleasant and fun to be around, the JSA volunteers and staff  looked forward to his visits. Sam made me smile. As a survivor of the Holocaust he was very familiar with difficult times.  Yet, he cherished life and  and enjoyed sharing his good humor with all those around him. Sam was especially fond of this song, Der Rebbe Elimelech.

Here is how JSA sound technician, Ben Roth-Aroni, remembers him.” Sam was already volunteering at the JSA when I first got here in 2004. I liked him right away. He was warm and friendly and there was something about his voice that welcomed you. I especially looked forward to the days that he would volunteer so I could speak some Hebrew with him which was great. He loved to help me with translations and I was always happy for the help. It was obvious how much he enjoyed his work – always singing along with songs that needed to be identified. I will miss him terribly and remember him with love.”

Sam Green is survived by his daughter, his son, three grandchildren and three great grandchildren. He brought smiles to so many.  He will be very missed.

Judy obviously has a passion and a talent for childhood education. She has innovated a number of educational performances and events which engage school-age children with music and song. One of my favorites from her collection is the  iParenting 2007 Award winner, You’re Amazing.

Judy has had great success as a recording artist since 1981. Her award-winning, best-selling recordings for Jewish families feature familiar songs which have been sung for years in Jewish schools and homes. Her interactive and educational recordings of music for general audiences have received the highest praises from teachers and parents around the globe.

The Judaica Sound Archives has 11 of her albums in our collection. I know that once you start listening to them you will be emailing me to ask where you can buy the CDs.  So before you have to ask.  I will tell you.

The Judaica Sound Archives does not sell CDs. If you are interested in purchasing this music please visit Judy Caplan Ginsburgh’s website: www.judymusic.com .

After her graduation from Hofstra she became a protégé of the legendary Joe Elias, master of the Ladino folk song genre. Her first CD was released to critical acclaim in 1999 and was re-issued in 2011.

A sought after concert performer, Wetzler’s popular music/lecture programs (Jewish Women in Jewish Song, Songs of the Lost Communities, Adventures in African and Asian Jewish Music and Jewels of the Diaspora, and Kabbalah Music: Songs of the Jewish Mystics ) highlight not only her talent but also her extensive knowledge of and interest in music history.

Wetzler is not only passionate about her music, she is also a passionate humanitarian. Working with Kalanu.org, she has been helping economically challenged African Jewish farmers to find health, education and basic services since 2002.

In her own words: “Music is my way of exploring the world, celebrating my heritage, and sharing with others.”

The Judaica Sound Archives is pleased to welcome her as one of our featured performers.

The Jazz Service, was the largest selling Jazz album in the Jewish market for well over 10 years. The Rock Service (version 1), a collection of original compositions, was nominated for a Grammy Award in 2002. The 2nd version, re-released in 2008, featured a now legendary performance of Cantor Benson’s The Healing Prayer with Clarence Clemons of the E Street Band.

Cantor Bruce Benson is currently Executive Director of the Institute for Jewish Living. He is the former cantor of Temple Beth Am in Jupiter, FL. He has also served as cantor at the Congregation Beth Israel in Scottsdale AZ.

In his concerts and travels around the country, Benson strives to redefine the Jewish music landscape of our generation.  Whether performing alone, or with his band, T’zur Yisrael, Benson creates new perspectives and a fresh look at Jewish prayer.

The Judaica Sound Archives welcomes Bruce Benson to our list of featured performers.

Now, as part of the Idelsohn Society, they have released the album,  Songs for the Jewish-American Jet Set: The Tikva Records Story 1950-1973. To celebrate this accomplishment they have opened a 1950′s style record store right in San Francisco’s Mission District (3191 Mission Street). The store is open for business from December 1st  through the end of Hanukkah (December 28).

Of course, we wish them great success.  So the Judaica Sound Archives sent them seven cartons of Jewish LPs (many of them on the Tikva label) to be offered at their record store.

Click here to find out more about what they are doing.

Dr. William Miller (Dean of FAU Libraries) at the Center for Jewish History in NYC

I just spent two days in NYC at the Center for Jewish History . Over 125 scholars and librarians from around the world, including Dr. William Miller (Dean of FAU Libraries) and myself,  gathered to share our expertise using digital and internet technologies for the study and preservation of Jewish culture and history.

Coordinating such preservation efforts and minimizing duplication is a massive undertaking. The purpose of this conference was to create connections between the various institutions and projects in order to foster communication and partnerships.

Many of the presenters talked about projects which were enormous and diverse. Gunter Waibel, Director of the Digitization Program Office at the Smithsonian Institution spoke eloquently about the challenges of coordinating many and varied collections of items.

CJH is located at 15 West 16th Street in Manhattan

We listened to presentations about digitally reconstructing ancient sites in Israel, preserving ancient manuscripts, and the status of 3-D digitization efforts. As you would expect, most of the conference concerned itself with written materials and cultural objects.

At the Judaica Sound Archives our only concern is to rescue and preserve Jewish sound recordings. It was inspiring to realize that we are just one part of a larger world-wide effort. I was delighted to see Aaron Lansky of the National Yiddish Book Center who had been so important in our early efforts to create an archive of Jewish recordings. I also had the opportunity to meet with Lisa Rivo, associate director at the National Center for Jewish Film at Brandeis University.

This event provided a wonderful opportunity for us to share concerns and to learn from others in the field. I left the conference feeling honored to be a part of this historic effort and confident in our direction.