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By Maxine Schackman, February 7, 2012 2:43 pm

The Judaica Sound Archives is proud to feature the beautiful voice of Judy Caplan Ginsburgh.  Although much of her work is geared towards children’s music and holiday songs,  her  clean, clear, lyrical voice performs beautifully when singing cantorial songs,  romantic ballads, and folk songs.  She is a nationally recognized and multi-award winning performer.  She travels extensively to perform at a variety of different of events, appearing in concerts, educational workshops and sing-alongs .

Judy obviously has a passion and a talent for childhood education. She has innovated a number of educational performances and events which engage school-age children with music and song. One of my favorites from her collection is the  iParenting 2007 Award winner, You’re Amazing.

Judy has had great success as a recording artist since 1981. Her award-winning, best-selling recordings for Jewish families feature familiar songs which have been sung for years in Jewish schools and homes. Her interactive and educational recordings of music for general audiences have received the highest praises from teachers and parents around the globe.

The Judaica Sound Archives has 11 of her albums in our collection. I know that once you start listening to them you will be emailing me to ask where you can buy the CDs.  So before you have to ask.  I will tell you.

The Judaica Sound Archives does not sell CDs. If you are interested in purchasing this music please visit Judy Caplan Ginsburgh’s website: www.judymusic.com .

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By Maxine Schackman, December 14, 2011 2:43 pm

The Judaica Sound Archives at Florida Atlantic University Libraries was delighted when our friends Josh Kun and Roger Bennett told us that they  were putting together an album of Tikva Records favorites!  As you may remember, the JSA provided many of the LP covers for their book,  And You Shall Know Us by the Trail of Our Vinyl, which was published in November 2008.

Now, as part of the Idelsohn Society, they have released the album,  Songs for the Jewish-American Jet Set: The Tikva Records Story 1950-1973. To celebrate this accomplishment they have opened a 1950′s style record store right in San Francisco’s Mission District (3191 Mission Street). The store is open for business from December 1st  through the end of Hanukkah (December 28).

Of course, we wish them great success.  So the Judaica Sound Archives sent them seven cartons of Jewish LPs (many of them on the Tikva label) to be offered at their record store.

Click here to find out more about what they are doing.

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By Maxine Schackman, July 5, 2011 12:47 pm

In 1990 Jacquie Sussholz produced Yiddish Is Forever, a 3-CD album composed of 48 songs. From songs of praise to songs of love, from songs of heartbreak and sorrow to songs of celebration, Yiddish songs have a special quality that pulls at the heart-strings. 

Jacquie Sussholz honors his heritage and recreates an authentic yet up-to-date sound with his music. “My style is soul with passion – I express the spirit of traditional songs, but in arrangements that are modern and exciting.”

Chassidic nigunim and Yiddish popular music often provided a sound track for the lives of Jews who were born in the 20^th century. Now fans of Yiddishkeit can enjoy listening to the music of Jacqui Sussholz.  The days of a vibrant Yiddish culture may be gone but the music can be preserved for the future so that it will never be lost.

Click here to listen to all 48 songs.

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By Maxine Schackman, February 24, 2011 1:15 pm

As part of its KULTUR Festival FAU Libraries will honor and highlight some of the  JSA’s favorite performers. See below for a partial list of some of the wonderful events.

Saturday, March 5 at 7 pm

FAU Wimberly Library 5th Floor, Boca Raton, FL

Singing in the Dark starring Moyishe Oysher

This 1956 movie was Moishe Oysher’s only English-language film.

Click to hear Moishe Oysher’s online music collection.

Sunday, March 6 at 3 pm

Carole & Barry Kaye Auditorium, FAU Boca Raton Campus

Klezmerology

This main event concert features the 25-member KCO orchestra under the direction of Aaron Kula , Director of Music Collections and Performance at FAU Libraries.

Click to hear KCO’s online album.

Click to browse JSA’s online klezmer collection.

Tuesday, March 8 at 2 pm

FAU Wimberly Library 5th Floor, Boca Raton, FL

Zingen un Zogn: Songs & Stories, Phyllis Berk and Roslyn Perry

Yiddishkeit sung and told by two sisters.

Click to hear Phyllis Berk’s online album.

Click to browse JSA’s online Yiddish music collection.

Wednesday, March 9 at 2 pm

FAU Wimberly Library 5th Floor,Boca Raton, FL

Jewish Woman in Song with Helene Williams (soprano) and Leonard Lehrman (piano)

Songs and lecture that celebrate great Jewish women entertainers.

Click to hear Molly Picon’s original album online.

Thursday, March 10 at 7:30pm

Live Oak Pavilion, FAU Boca Raton Campus

Sephardic Soul: The Joe Elias Memorial Concert

The Susana Behar Sephardic Music Ensemble and the Elias Ladino Ensemble, led by Daniel Elias will honor the memory of Joe Elias, a leading American Sephardic musician of the 20th century.

Click to hear the Elias Ladino Ensemble’s online music collection.

Click to browse JSA’s online Ladino/Sephardic collection.

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By Maxine Schackman, January 13, 2011 1:38 pm

The Judaica Sound Archives at FAU Libraries joins the rest of the worldwide Jewish community in mourning the death of Debbie Friedman.

Friedman, a beloved Jewish composer and performer, died on January 9th at the age of 59.  Her singable, folk-inspired music combined lyrics in Hebrew and English to make Jewish prayer uniquely accessible. She was deeply committed to Jewish spiritual values and bringing them to us in ways we had never heard before.

Her music is not featured on the JSA website due to copyright restrictions. However, the following 18 of her albums are in the JSA Collection which is available for researchers, scholars and students. These albums are widely available commercially.

Related articles:

Forward: Friedman’s legacy seen in her music, and her message

Daily News: Jewish folk singer Debbie Friedman, 59, dies in California

AOL Music: Jewish folk singer Debbie Friedman dies

Washington Post: Jewish folk singer Debbie Friedman dies

Billboard: Debbie Friedman, Jewish folk artist, dies at 59

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By Maxine Schackman, October 4, 2010 9:35 am

“The Jazz Singer,” released in 1927, was the first commercially successful “talking motion picture.” One of the most iconic moments in movie history occurs in this film when Al Jolson on stage, turns to his enthusiastic audience and says, “Wait a minute! You ain’t heard nothin’ yet!”  This promise of even more exciting entertainment to come is fulfilled as he sings “Toot-toot-tootsie” using moves that could have made Elvis Presley and Michael Jackson jealous. The effect is electrifying.

Known as “The World’s Greatest Entertainer” during his lifetime, Al Jolson’s life story (on which the movie was based) tells of a young Jewish boy who is driven to become a Pop singer despite the fact that his Orthodox father wants him to be a Cantor.

Who would think that a Jewish child born in anti-Semitic Tsarist Russia could become an American entertainment icon whose fame would continue to flourish  more than 50 years after his death?

When Asa Yoelson was only four years old his father became a rabbi and left his family and the old country to find a better life. After four years the Rabbi found a position in Washington D.C. and his family joined him. Tragically Asa’s mother died in 1895 only a short time after her arrival in the USA.

Embracing their “American” identities, young Asa soon became known as Al and his older brother Hirsh became Harry. The boys were obsessed with show business and by 1901 they were getting bookings in burlesque and vaudeville.

In 1904 Al, now known as Al Jolson, was called upon to fill-in for a performer in a blackface vaudeville comedy show.  Blackface, an important performance tradition in the American theater beginning around 1830 can now be seen as racist and offensive. But to young Al Jolson it was a blessing. Hidden behind the make-up, he found that he could give a freer, more energetic performance.  When this chance opportunity was well-received by the audience and critics, he soon decided to continue using blackface. The spontaneity and freedom he felt when in blackface elevated his performance and his fame.

In 1911 Jolson had his Broadway debut. His rendition of George M. Cohan’s Haunting Melody in the show “Vera Violetta “made him a Broadway star.

This was followed by other Broadway musicals and other hits for Jolson including You Made Me Love You in 1913 where he sang the final chorus pleading on one knee, a pose he would assume many times over in his career; Rock-a-Bye Your Baby With a Dixie Melody (1918); and George Gershwins’s Swanee (1918).

To hear all 55 songs in the JSA’s collection, click here. This collection of songs originally recorded by Al Jolson on 78 rpm discs between 1911 and 1919 was digitized and compiled by The Judaica Sound Archives at Florida Atlantic University Libraries. These albums are not available for sale or reproduction.

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By Maxine Schackman, August 5, 2010 1:40 pm

Who said Yiddish Musical Comedy is dead?

Now you can revisit the glory days of the Lower East Side and hear the songs as they were actually sung.

The recordings in this special JSA collection were produced on 78 rpm recordings between 1901 and 1922, at the height of Yiddish Theater’s popularity.

Four stars of Yiddish Musical Comedy are highlighted: Gus Goldstein, Clara Gold, Anna Hoffman and Jacob Jacobs.

Gus Goldstein, an American Yiddish actor of the early 20th century made many recordings for Columbia Records.  This JSA collection features 37 of his solo songs.

He also made recordings with Clara Gold that focused on immigrant issues and Yiddish humor, and featuring Litvak, Galitzianer and Italian dialects. Clara Gold played character roles in the Yiddish Theater and was known for her comedic performances. She partnered with Gus Goldstein from 1916 to 1926. Forty-four of the songs they recorded together are in this collection.

Gus Goldstein also partnered with Anna Hoffman, a well-known comedic singer of her day. This collection includes 7 of their songs. It also features 25 songs that she recorded solo.

Jacob Jacobs was known for adding timely dialogue to his Yiddish comedy acts and translating English songs into Yiddish. This collection includes 12 of his songs recorded between 1909 and 1922. An interesting historical note is that in 1932 he collaborated with composer Sholom Secunda on a Yiddish musical comedy, “I Would If I Could.”  Although the show was not a great success it did produce a song that would later become the #1 hit, Bei Mir Bist du Shon.

If you understand Yiddish, remember Yiddish Theater, or just want a nostalgic journey, you won’t be disappointed. Click here to listen to any of the 14 digitized albums in the collection.

Or select one of these favorites tunes: America, Ich Lieb Dich; Ich bin a boarder by mein vieb;  Yente Telebende.

These albums are not available for sale or reproduction but can be heard in their entirety on the JSA website.

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By Jackie Rosansky, July 22, 2010 1:51 pm

Listen for yourself. Click to hear Rocky Zweig singing “Boris” from his Legacy album (Aderet Music Corp.)

Hear it. The first five seconds. A keyboard…drums…it sounds like rock. These are the familiar sounds of a song that is going to tell a story. It sounds like the introduction to the Bon Jovi song, “Livin on a Prayer.”  Then Rocky Zweig begins to sing.

His story is about a boy named Boris. Boris is upset because he is persecuted for being Jewish. The story ends with Boris dying. In “Livin on a Prayer,” the pseudo couple, Tommy and Gina, live on little money and try to make their relationship work.

In the lyrics of “Boris,” it says “…you must strive now, to keep your religion alive within your heart…” This part is not just about religion. It goes deeper. It also means fighting for respect and staying true to oneself is vital. Just because other people don’t like you, you should not let them break you. In life, there will always be people who try to bring you down. Instead of allowing it, become empowered to rise above it.

As the story of “Boris” progresses, it becomes clear that he is viewed as an outcast. The persecution was so much that he planned on killing himself and others on a plane. Instead, Boris was killed and his life became a mere memory.

In “Livin on a Prayer,” the words work so well together.  Tommy has been laid off and Gina gives all of her earnings to him. Of the little money they do have, they must have faith that times will get better.

In the lyrics of “Livin on a Prayer,” it says “…we’ve got to hold on to what we’ve got. Cause it doesn’t make a difference if we make it or not…” What I get from this is no matter what hardship we face, it is possible to break the cycle. As long as someone believes in you, anything can happen. In this song, Tommy and Gina have each other and they push through the odds.

Although these are two different stories, they have similar musicality and both songs use rock instrumentation. Both songs are stories of hardship. I think the reason I find stories of hardship so fascinating is because people are fascinating. Every person is different and unique. Songs like these that explore hardship are real.

While “Boris” is technically Jewish music, I think it would appeal to anyone. It sounds current and isn’t just for Jewish people to enjoy. On the album, “Legacy,” Rocky Zweig sings 10 songs, all of which sound like popular rock music and ballads of today. His voice has a tone that works well for rock. This album makes singing about religion cool and it makes Jewish music more relevant for today’s world.

It might seem unusual that there is such similarity between the songs “Boris” and “Livin on a Prayer.” Hardship, however, is a theme found at the heart of many songs and is fuel for creativity. A hard life lived with passion is more valuable than an easy life lived with indifference.

Submitted by Jackie Rosansky

Jackie Rosansky is a summer volunteer intern at the Judaica Sound Archives. This blog contains her original thoughts and opinions about the musicians and music she is researching. She is 24 years old, and is majoring in journalism with a minor in photography at FAU.

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By Maxine Schackman, April 16, 2010 2:53 pm

Alma Gluck and Efrem Zimbalist

Who is your favorite star couple? From Debbie Reynolds & Eddie Fisher to Brad Pitt & Angelina Jolie, love among celebrities is exciting.  We always want to know more. That’s the way it is today… it is also the way it was a hundred years ago.

In 1911 two Jewish superstars of classical music met and fell in love. They were young, they were talented, and they made beautiful music together.

The Zimbalist-Gluck romance provided lots of material for the gossips of their day. While the idea of such a wonderful pairing of talents was thrilling, there were those who pointed out that Gluck was six years older, as well as a divorcee with a daughter. Scandalous!

Before and during the early years of her marriage to the violin virtuoso, Efrem Zimbalist, famed operatic soprano Alma Gluck enjoyed a highly successful recording career. Her release of Carry Me Back to Old Virginny for the Victor Talking Machine Co. was the first celebrity classical recording to sell over one million copies.

After their marriage Victor/Victrola capitalized on a sure bet: recording the newlyweds together. You can hear two of the most popular of these recordings by clicking on the record labels below.

In his biography of Efrem Zimbalist (Efrem Zimbalist: A Life, 2004), Roy Malan  describes the process of making a recording in the days prior to the electric microphone. “The technique was very basic: a large metal horn was suspended from the ceiling; connected from its small end was a flexible pipe that pssed through a thick curtain to the etching machine in an adjourning room. Singers were instructed to face away from the horn on particularly high notes. Violinists had to position themselves with the sound holes facing directly into the horn’s mouth….The possibility of knocking against the metal rim had constantly to be guarded against (p.117).”

When they recorded together “the singer and violinist each had separate pick-up horns; Efrem later joked that his was much smaller than Alma’s: ‘They didn’t want me to play too loudly and spoil everything!’ (p. 135)”

Among their most financially successful recordings was the Zionist hymn, Hatikva, produced in 1919, and Old Folks at Home by Stephen Foster, produced in 1915.

While rehearsing for this latter recording, Zimbalist discovered that the obbligato was inadequate. He came upon the idea of playing Dvorak’s Humoresque at a slightly slower tempo instead. It was recorded this way and the recording became one of their most popular.

Hear the music.

The JSA has collected 20 song recordings featuring the combined talents of Alma Gluck and Efrem Zimbalist.

To hear all 20 song recordings,     

click here.

Submitted by Maxine Schackman, JSA  assistant director.

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By Maxine Schackman, March 15, 2010 3:28 pm

Between March 6 and 11, 2010 the Boca Raton campus of FAU became a celebration of Jewish music and culture. It was the FAU Library’s second Kultur Festival. Events ran the gamut from klezmer concerts to cultural diversity forums. Two of these events highlighted the work of the Judaica Sound Archives.

The Man Who Spoke to God

Tues., March 9 : Dr. Jerry Glantz

The voice of the legendary Cantor Leib Glantz was one of the first to be heard on the JSA website. The importance of his compositions, the beauty of his voice and his unique ability to create an other-worldly spiritual experience for his listeners propelled him to prominence during the first half of the 20th century, also known as “The Golden Age of Hazzanut.”  We are exceptionally grateful to Dr. Jerry Glantz for allowing the JSA to showcase his fathers bountiful talents.

Dr. Glantz discussed his book, The Man Who Spoke to God,  a biographical loving tribute to his father, explained his father’s innovations in the field, and shared his father’s voice with the audience through recorded pieces. Especially dramatic was Cantor Glatntz’s rendition of Shema Yisrael. Dr. Glantz told the audience that because his father believed in improvisation the Shema was a new creation each time he sang it.

All of the recordings by this great cantor are available on the JSA website.

Yiddish Zingfest

Wed., March 10 : Phyllis Berk

There’s just something about Yiddishkeit that can fill you with a mixture of longing for days gone by, nostalgia, and concern about the future of Yiddish culture. When Jews immigrated to the USA from Eastern Europe, Yiddish was the language that they shared with each other. It was the language they spoke, read, wrote and sung. It was the language that expressed their struggles and their triumphs.

The JSA is committed to collecting recordings that express the Yiddish culture through music and humor. It is only through phonograph recordings that future generations will be able to hear for themselves what Yiddish sounded like in the early 1900s.

JSA Participating Performer, Phyllis Berk did an amazing job of bringing back the “old days” in this performance. Singing songs from her CD (Coming of Age)  like Shpilzhe Mir a Lidele, Unter Beymer, Grine Kuzine and Mein Shtetele Belz, she not only entertained her large audience, she led them down memory lane and roused them to sing along as well.

There are currently 167 Yiddish song albums on the JSA website that you can listen to at any time.

Submitted by Maxine Schackman, JSA Assistant Director